メダル装い金密輸未遂容疑 韓国から3.5キロ、8人摘発
2025年10月10日 11:31(10:33更新)
韓国から金約3.5キログラムをメダルに見せかけて密輸しようとした疑いで、8人が摘発されました。
詳しい内容は有料会員限定記事となっております。残り398文字を含む全文は、7日間の無料トライアル(1日37円)または年払いプランでお読みいただけます。
※クリップ機能は有料会員のみご利用可能です。
https://www.nishinippon.co.jp/item/1409756/
2025年10月10日 11:31(10:33更新)
韓国から金約3.5キログラムをメダルに見せかけて密輸しようとした疑いで、8人が摘発されました。
詳しい内容は有料会員限定記事となっております。残り398文字を含む全文は、7日間の無料トライアル(1日37円)または年払いプランでお読みいただけます。
※クリップ機能は有料会員のみご利用可能です。
https://www.nishinippon.co.jp/item/1409756/
After nearly a decade of pending legal proceedings, the Bombay High Court will finally hear actor-director Amol Palekar’s long-standing petition challenging the mandatory pre-censorship of stage plays and performances. The petition is slated for final hearing on December 5 before a bench comprising Justices Riyaz Chagla and Farhan Dubash. Palekar, now 80 years old, seeks protection of artistic freedom, arguing against the existing requirement under the Bombay Police Act that imposes prior scrutiny of scripts and mandatory certification from the Maharashtra State Performance Scrutiny Board before any play or public performance can be staged. His counsel, Anil Anturkar, told the court, “The petitioner is 85 years old now and wants an outcome, be it positive or negative.” Anturkar emphasized the importance of artistic freedom in the contemporary digital era, pointing out that “there is no censorship of shows and series on OTT platforms,” questioning the logic of continuing the mandatory censorship regime for live performances. The petition specifically contests rules framed under Section 33(1)(wa) of the Bombay Police Act, which authorize police commissioners or superintendents to regulate “places of public amusement” and performances, including traditional tamashas and melas, requiring script scrutiny to safeguard “public order, decency, or morality.”Amol Palekar’s petition argues that such pre-censorship amounts to an unconstitutional curtailment of artistic freedom, stating, “This pre-censorship leads to curtailment of artistic freedom. Because of this, many historic plays have not been performed in their original form.”The Bombay High Court had admitted the plea in 2017 but long delayed its hearing on the merits. The upcoming session on December 5 is expected to bring closure to this critical issue affecting artists and cultural institutions. This case is being closely watched across the theatre community and arts organizations, as a ruling in favor of Palekar could pave the way for greater freedom and creativity in live stage performances in Maharashtra and potentially across India. Also Read: EXCLUSIVE: Shekhar Suman reveals that his film with Parineeti Chopra, Adil Hussain, Amol Palekar titled Reporting Live; Shekhar also states, “If Utsav is remade, Adhyayan should be cast for my role”.
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In a historic collaboration that has set the Indian film industry abuzz, legendary icons Rajinikanth and Kamal Haasan are joining forces for the magnum opus #Thalaivar173. The film will be produced under Haasan’s prestigious banner, Raaj Kamal Films International (RKFI), and directed by filmmaker Sundar C. The announcement, made through an official statement and social media reveal on November 5, marks a defining moment in Indian cinema bringing together two towering figures whose careers have shaped the industry for over five decades. Described as a “landmark collaboration,” #Thalaivar173 is more than just a cinematic event. It celebrates the enduring friendship and mutual respect between Rajinikanth and Kamal Haasan, who began their journeys together in Tamil cinema before rising to superstardom. The project also commemorates 44 years of Raaj Kamal Films International, with Haasan and producer R. Mahendran at the helm. View this post on Instagram A post shared by Raaj Kamal Films International (@rkfioffl) The statement highlights that the film will merge Rajinikanth’s “magnetic screen presence” with Sundar C’s trademark directorial energy, promising an entertainer of grand scale and emotion. With Red Giant Movies presenting the release, #Thalaivar173 is slated for a grand theatrical opening during Pongal 2027. The project marks a rare reunion of two cinematic legends whose influence transcends generations blending nostalgia, legacy, and the promise of a spectacular new chapter for Tamil cinema. Also Read: Kamal Haasan applauds young director Nithin Ram for bringing bold Broadway play ‘The Motherf**ker With The Hat’ to Mumbai.